da Enrico Melozzi | 04/09/2026 | Dossier, Lungo formato, Melos
by Enrico MelozziThis is installment two of thirteen. The thesis is in installment one and does not change. What follows serves to prove it.Vienna, Burgtheater, 13 March 1785, third Sunday of Lent. The theatres are closed to opera for the penitential season, and the... 
da Enrico Melozzi | 01/09/2026 | Dossier, Lungo formato, Melos
by Enrico MelozziOn 14 February 1791, in a castle near Gloggnitz, an hour by carriage south of Vienna, Anna von Walsegg, Countess of Stuppach, dies at twenty. Her husband Franz is twenty-eight, with a fortune, an orchestra of amateurs that plays in his house twice a... 
da Enrico Melozzi | 29/08/2026 | Lungo formato, Melos, Storia e tecnica
Facsimile of an autograph page by Mozart, from “Mozart, the story of his life as a man and artist,” 1908. Via Wikimedia Commons (public domain).The autograph manuscript of Don Giovanni is in the Bibliothèque nationale de France under the shelfmark Ms. 1548. Eight... 
da Enrico Melozzi | 28/08/2026 | Lungo formato, Melos
by the Melos editorial staff The Orchestra Notturna Clandestina was founded in 2016 to play Mozart where Mozart is not played. On 15 November it closes the Romaeuropa Festival in the largest concert hall in Italy. On 30 April 2018, at six in the evening, in an... 
da Enrico Melozzi | 26/08/2026 | Il Sistema, Lungo formato, Melos, Nuove opere, Opinioni
The auditorium of the Teatro alla Scala, Milan. Photo via Wikimedia Commons.by Enrico Melozzi A legislative proposal for contemporary operatic creation. The articulated text, in eleven articles, is in the appendix. On 23 December 2024, the Ministry of Culture signed... 
da Enrico Melozzi | 26/08/2026 | Lungo formato, Melos
Francesco Bartolozzi (Italian, Florence 1728–1815 Lisbon) Charles Burney, April 1, 1784 British, Etching and stipple engraving; second state of three; plate: 7 1/2 x 6 in. (19.1 x 15.2 cm) sheet: 10 5/8 x 7 1/8 in. (27 x 18.1 cm) The Metropolitan Museum of Art, New...
