da Enrico Melozzi | 11/10/2026 | Cross-over, Melos
by Luisa De Vita Between symphonic orchestrations, operatic echoes and contemporary experimentation, Rosalía turns the language of classical music into a new form of artistic expression. With «Berghain», Rosalía explores a musical territory where the European... 
da Enrico Melozzi | 08/10/2026 | Cross-over, Melos
Elias Gottlob Haussmann, Portrait of Gottfried Reiche, Bach’s trumpeter in Leipzig, painted between 1726 and 1727. Via Wikimedia Commons (public domain).On the evening of 11 January 1967 BBC2 broadcasts an episode of Masterworks: the English Chamber Orchestra... 
da Enrico Melozzi | 30/09/2026 | Cross-over, Melos
WHEN RAP MEETS CHOPIN The signature of Jacopo Lazzarini From “Ouverture” to “OuverFOURe,” the classical piano has become one of the most recognisable signatures of the Milanese rapper. Before the bass, the drums and the beat come in, it is almost always there: the... 
da Enrico Melozzi | 29/09/2026 | Agenda, Cross-over, Melos
The Orchestra Notturna Clandestina. ONC archive.The Romaeuropa Festival, now in its forty-first edition, runs across Rome from September to November with its usual catalogue of theatre, dance and international avant-garde music. Inside that catalogue, one date... 
da Enrico Melozzi | 26/09/2026 | Cross-over, Melos
by Eleonora Colombo This story begins in New York in the mid-1970s. Its protagonist is Ricardo Marrero, a New York musician who came up in the Latin scene: percussionist, pianist and vibraphonist, but also arranger, composer and producer. His biographical notes credit... 
da Enrico Melozzi | 26/08/2026 | Cross-over, Interpreti, Melos
In 1954 a thirty-three-year-old Argentine bandoneon player arrives in Paris with a scholarship and a folder full of symphonic scores. He has already won a prize at home with a symphony, he has studied with Alberto Ginastera, and he wants to become a serious composer....
