da Enrico Melozzi | 07/10/2026 | Dossier, Lungo formato, Melos, Nuove opere
by Enrico MelozziThis is instalment thirteen of thirteen, the last. The thesis is in instalment one and has not changed. Here we take stock.Vienna, December 1791, the apartment in the Rauhensteingasse. On the table, the manuscript gatherings of the Requiem. Over the... 
da Enrico Melozzi | 26/09/2026 | Melos, Nuove opere
by Luisa De Vita Today we turn to Consuelo, the heroine of the novel of the same name by George Sand, the pen name of Amantine Aurore Lucile Dupin: a writer who made herself heard as a solo voice in a European literary landscape dominated almost entirely by men. For... 
da Enrico Melozzi | 26/08/2026 | Il Sistema, Lungo formato, Melos, Nuove opere, Opinioni
The auditorium of the Teatro alla Scala, Milan. Photo via Wikimedia Commons.by Enrico Melozzi A legislative proposal for contemporary operatic creation. The articulated text, in eleven articles, is in the appendix. On 23 December 2024, the Ministry of Culture signed... 
da Enrico Melozzi | 26/08/2026 | Dalla biblioteca, Melos, Nuove opere, Opinioni
Portrait of Pietro Mascagni. Library of Congress, via Wikimedia Commons (public domain).More than ten million people watch the final of the Sanremo song festival. The world premiere of a new Italian opera, when there is one, is seen over three evenings by a few...
