da Enrico Melozzi | 22/10/2026 | Il Sistema, Melos
Arnaldo Ferraguti, The Royal Conservatory of Music in Milan, from “L’Illustrazione Italiana”, February 1900. Via Wikimedia Commons (public domain).Wednesday 19 October 2022, three days before leaving the ministry, Maria Cristina Messa signs the decrees that... 
da Enrico Melozzi | 22/10/2026 | Melos, Storia e tecnica
Josef Danhauser, Liszt at the Piano, 1840. Berlin, Alte Nationalgalerie. Via Wikimedia Commons (public domain).Tuesday 9 June 1840, London, the Hanover Square Rooms. The hall where sixty-five years earlier Johann Christian Bach had begun giving his concerts is full of... 
da Enrico Melozzi | 21/10/2026 | Interpreti, Melos
Jascha Heifetz, photograph by the Bain News Service, late 1910s. Library of Congress, via Wikimedia Commons (public domain).Saturday 27 October 1917, Carnegie Hall, an afternoon too hot for the season. A sixteen-year-old boy who has come from Russia walks onstage with... 
da Enrico Melozzi | 21/10/2026 | Agenda, Melos
by the Melos Chorus An orchestra no conservatory ever trained, one that re-forms itself in every city. Fourteen years after the first time, it returns to the city where it was born. March 2012. The Teatro Valle, the Roman theatre founded in 1727, has been occupied for... 
da Enrico Melozzi | 21/10/2026 | Interpreti, Melos
by the Melos Chorus Portrait of a young voice who will be in the Sala Santa Cecilia on 15 November, alongside her father. Angelica Antonini was born in Milan in 2005. Her first instrument is the violin: she starts with Liana Mosca and continues until 2022 at the... 
da Enrico Melozzi | 21/10/2026 | Melos, Officina
François Boucher, Renaud et Armide, 1734. Paris, Musée du Louvre. Via Wikimedia Commons (public domain).Paris, 15 February 1686, Théâtre du Palais-Royal. The Académie royale de musique gives Lully’s Armide for the first time, before the Grand Dauphin, with sets...
