da Enrico Melozzi | 07/10/2026 | Dossier, Lungo formato, Melos, Nuove opere
by Enrico MelozziThis is instalment thirteen of thirteen, the last. The thesis is in instalment one and has not changed. Here we take stock.Vienna, December 1791, the apartment in the Rauhensteingasse. On the table, the manuscript gatherings of the Requiem. Over the... 
da Enrico Melozzi | 04/10/2026 | Dossier, Lungo formato, Melos
by Enrico MelozziThis is instalment twelve of thirteen. The thesis is in instalment one and does not change. What follows serves to prove it.The last page of the working score of the Requiem, K 626. Via Wikimedia Commons (public domain). Vienna, December 1791. Mozart... 
da Enrico Melozzi | 01/10/2026 | Dossier, Lungo formato, Melos
by Enrico MelozziThis is instalment eleven of thirteen. The thesis is in instalment one and does not change. What follows serves to prove it.Franz Xaver Wolfgang Mozart as an adult, portrait by Karl Gottlieb Schweikart, 1825. Via Wikimedia Commons (public domain).... 
da Enrico Melozzi | 28/09/2026 | Dossier, Lungo formato, Melos
by Enrico MelozziThis is installment ten of thirteen. The thesis is in installment one and does not change. What follows serves to prove it.Constanze Mozart portrayed by Joseph Lange in 1782. Hunterian Art Gallery, University of Glasgow, via Wikimedia Commons (public... 
da Enrico Melozzi | 25/09/2026 | Dossier, Lungo formato, Melos
by Enrico MelozziThis is instalment nine of thirteen. The thesis is in instalment one and does not change. What follows is meant to prove it.Vienna, December 1791. A twenty-nine-year-old woman with two children, the younger five months old, finds herself the widow of... 
da Enrico Melozzi | 22/09/2026 | Dossier, Lungo formato, Melos
by Enrico MelozziThis is instalment eight of thirteen. The thesis is in instalment one and does not change. What follows is meant to prove it.Vienna, city hall, spring 1791. Among the petitions reaching the Civic Magistrate is one signed Wolfgang Amadé Mozart, chamber...
